Hi Friends! I'm a painter turned animator, living and working in the city of my dreams, the Big Apple! I start animating in my last semester at the School of Visual Arts as a way of documenting a flip-book. I completely fell into it unawares and the next thing I knew I had made my first movie, the Roly Poly Pudding. 

I'm one of nine kids, (with a twin sister) and grew up in the sticks of Connecticut. I'm now married to a most excellent fashion photographer, Kah Leong poon. We love to bounce ideas off each other and work on each other's stuff. All my best gags came from Kah Leong! 

 Styled by Fred Flare

Career highlights include working with:  

The Museum of Modern Art, The National Gallery, Writ and Vision, MIT, The Museum of Art and Design, the Brooklyn Academy of Music, PBS, CBS, The New Museum, Nickelodeon, the Church of Jesus Christ of Latter Day Saints, The Brooklyn Museum, The Utah Biennial, Mormon Artist Group, Brigham Young University, Bonneville Communications, The Madison Square Park Conservancy, Cornell University, and Pfizer.

My animations are in the collection of the Museum of Modern Art, The BYU MOA, The Church History Museum, the LDS church, The Chris and Janae Baird Collection, and The Glen and Marcia Nelson Collection.



Annie Poon is a multimedia artist from New Canaan, Connecticut. She is the middle child of a large Mormon family of eleven and has a twin sister. Annie's biggest artistic influence was her mother Barbara who would take her out of elementary school to explore the Metropolitan Museum of Art. Annie went on to earn a BFA in drawing and painting from the School of Visual Arts in New York. She has created over 30 short animations in addition to painting, prints, sculpture and music. Poon's work often addresses her childhood pass times and mental illness- in particular her diagnosis of Schizzoaffective disorder. Most recently, she has completed a series of 50 etchings inspired by favorite verses in the Book of Mormon.


Artist Statement

 My work picks up on childhood games and passions where I left them before my formal art education began. I construct animated paper narratives and re-visualize those elementary impressions. Many of my videos are inspired by my graphic novel 'Oh Puppy' that ran as a comic strip for two years. I collaborate with children on many of my pieces. However other of my works draw on my experience with illness and communicate distress. Working with black-and-white provides an apt metaphor for the polarities of rapture and terror I experience. The avatar of the artist in a white nightgown occupies many of these works. She is on a quest through the levels between heaven and hell, innocence and knowing. Her recurrence indicates childlike inquiry and vulnerability.